Henry Purcell and Nahum Tate’s Dido and Aeneas is a piece with a rich performance history in modern times. Since a revival in 1895 and an edition printed in 1889, the work has drawn the attention of a number of musical celebrities including Ralph Vaughan Williams, Gustav Holst, Benjamin Britten, Christopher Hogwood, William Christie, and Alexander Weimann – who, along with Les Voix Baroques, will be performing it at Chamberfest 2015. A triumph of human tragedy, today countless recordings of Dido are available and it sits as one of, if not the most well-known opera in the English language. But can we claim, as Chamberfest has done in its promotional material, that it is “Henry Purcell’s greatest of all English operas”?