A few weeks ago, my friend and colleague Lukas Henning had his Masterkonzert at the Schola Cantorum Basiliensis. For his concert, Lukas went off the beaten path, so to speak, by creating a theatrical work which he hoped would help give a context to the performance and creation of the music at the Barberini court in early 17th century Rome. After months of work planning, arranging, composing, and practicing, the final product was the most unique presentation within Early Music that I have seen yet. Take a look.
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