A few days ago I read a post on the CBC Music blog. The facebook post which I've embedded above advertised an interview with Yannick Nézet-Séguin on how classical music needs to change. In actuality it was a gallery with a few bullet-points. Frankly, it felt a bit cheap. The more I look at the website, the more I see CBC Music's classical section catering to a mythical online community that is content with little substance and celebrity.
Friday, February 7, 2014
I Challenge You to do Better, CBC Music, Please.
A few days ago I read a post on the CBC Music blog. The facebook post which I've embedded above advertised an interview with Yannick Nézet-Séguin on how classical music needs to change. In actuality it was a gallery with a few bullet-points. Frankly, it felt a bit cheap. The more I look at the website, the more I see CBC Music's classical section catering to a mythical online community that is content with little substance and celebrity.
Friday, January 31, 2014
Our Very Own returns to Ottawa
Post by Andrew Burn.
In two weeks time Our Very Own will be back at The Church of St. Bartholomew in Ottawa to perform music from Restoration-era England and France. It's been a while since I've performed under the OVO label but I'm happy nonetheless. Not that long ago I was wondering if it were to happen again.
Thursday, December 12, 2013
Freezing My Buns Off
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| The view from Arlanda |
From windy Copenhagen we trekked to Stockholm. Only a few hundred kilometres to the north, the Swedish capital was noticeably colder. What surprised me about the city was the landskape in the surrounding area. Just travelling between Arlanda, the airport, and the hotel in the centre of the old town it was clear to me that the ecology and geology were relatively similar to that of the Ottawa valley. In fact, if it weren't for the signs on the highway being printed in Swedish, one could easily make the mistake of thinking they were travelling from downtown Ottawa to Kanata, the city's western suburb.
Within this familiar context, it was telling how I reacted to the sub-zero temperature. Ottawa's average winter temperature is -10 degrees Celsius and our day in Stockholm was spent in -12. Not only was I wearing two sweaters under my coat, but it didn't seem like my mittens and hat were doing enough. If this were two years ago, I wouldn'tve flinched going out in this weather. Now, however, it's a different story.
I write this as we travel to Manchester, where we will perform our penultimate concert as Eubo 2013 for BBC radio 3's Early Music Show tomorrow. The concert will be broadcast on January 19, 2014.
Sunday, December 1, 2013
New Angle
About a month ago I read an article on the Ottawa Citizen blog about an upcoming concert series spearheaded by Ottawa New Music Creators board member Curtis Perry. Curtis and I both went to the same high school and were classmates in university as well so I was eager to read.
The series hopes to present new music at a local coffee shop during store hours. In the discussion with Interviewer .... Curtis very eloquently lined out the broader dilemma facing new music, and indeed classical music. When posed the question regarding the abundance of recordings and what made a live concert relevant anymore, though Curtis' answer was fine, I felt that he missed a crucial argument. This got me thinking.
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